Anderson’s Grimoire – in 3D!
My Defense Against the Book Arts professor is in the process of building what may be the first 3D website in teh intrawebs. Yes, that’s 3D as in blue-and-red goggles and nasty headaches. He rigged up a 3D camera and took our pictures with our Donkey Man books so that they could be the first content on the site.
Yesterday I received the following press release:
TALE OF THE “DONKEY MAN” POPS OUT OF BOISE STATE BOOK ARTS CLASS*
WORKS WITH HELP OF 3-D GLASSES
Boise State University professor Tom Trusky is inviting the public to learn a little bit more about Pacific Northwest history and enjoy the works created by his book arts class – all in 3-D.
Visitors to Trusky*s Web site (English.boisestate.edu/ttrusky/index.htm) will be able to see the class project with the help of 3-D glasses, which can be obtained by calling (208) 426-4210 or by e-mailing Trusky. The students were asked to create a book that dealt with the story of the “Donkey Man,” J.
Fred Anderson, a photographer who worked in northern Idaho and eastern Washington at the turn of the 20th century.
Anderson found a suffering, abandoned donkey in Lewiston and nursed it back to health, later enlisting the donkey to carry his chemicals and other photography equipment. Anderson would travel from town to town,
often taking photos taking photos of children riding the donkey and wearing costumes, as well as portraits of American Indians in the region. He married a young woman that his family later referred to as
“The Child Bride,” according to Anderson*s son, Howard. The Child Bride ran off, and Anderson eventually married again and fathered Howard Anderson and a daughter. After being mistreated by his father, 17-year-old Howard ran away from his parents and Idaho, never to return.
The book arts class was tasked with using some part of the story in a creative way. Some of the creations deal with Anderson’s camera, or are told from the point of view of The Child Bride.
3-D enthusiasts have another opportunity to use their special glasses by visiting the Idaho Center for the Book*s Web site at http://www.lili.org/icb/. Trusky worked with Kathy Robinson at Boise State Printing and Graphics Services to turn his photos into 3-D creations.
“I only regret that the glasses are red and blue instead of blue and orange,” he said.
Contact: Tom Trusky, English, (208) 426-1999, firstname.lastname@example.org
Media Contact: Julie Hahn, University Communications, (208) 426-5540, email@example.com
In addition to 3D images of book artists in all their artisty splendor, the website includes the following description of Anderson’s Grimoire:
6 x 5 1/2″ (irregular; spine “wand” 12″)
Numerous artifacts (photographs, feathers, broken spectacles, lavender, a key, a nail…)
From information about J. Frederick Anderson Kate Baker has created a “Grimoire,” a witty, twisted homage to fairytales by not only imagined-distant-relative Hans Christian Anderson but also those German brothers Grimm. Baker was told this tale, she tells us, by Howard Anderson, son of J. Frederick Anderson. She cleverly includes faux facts, artifacts and photographs with real Anderson facts and photos in a bursting, suede paper-covered book held almost-closed by a band of beaded jute. In Baker’s biblio witches brew, Anderson senior is a malevolent magician given to fits of pique. In one of them, he turns Howard’s mother into a pooch. Proof’s not in the pudding, but in the photo Baker inserts at this point in the narrative she’s typed (on an antique machine known as electric typewriter): we see JFA’s Victorian-style photograph of son Howard, his drowsy, unsuspecting Little Lord Fauntleroy head resting on the family dog. But Baker’s told us who that woof once was….